Staff Officer, England, 1879, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Staff Officer, England, 1879, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Editor: Here we have "Staff Officer, England, 1879," a print from 1888 by the Kinney Brothers Tobacco Company. It's a small drawing, originally used to promote Sweet Caporal Cigarettes, and depicts an English officer in full regalia. The uniform looks so elaborate. How would you interpret this kind of imagery from that period? Curator: The piece reflects the power structures inherent in representing military authority in late 19th-century Britain, especially through popular culture. Kinney Brothers Tobacco Company disseminated idealized visions of imperial power. Consider how the idealized figure served to promote not just the product but also a specific understanding of national pride and military prowess. What visual cues emphasize the officer's authority? Editor: Definitely the crisp uniform, the saber... everything is so stylized and precise. The posture conveys an air of unwavering authority. So this imagery wasn't just about selling cigarettes, it was also reinforcing certain societal values? Curator: Precisely. It links commercial interests with the construction and dissemination of imperial ideologies. This particular depiction is rife with the visual language of control and hierarchy, perpetuating an image of British superiority in a time of expanding imperial ventures. Editor: That’s fascinating. I wouldn’t have thought about it in that light, focusing on the political motivations behind something that seemed so straightforward and, well, almost like a collectible. Curator: Context is everything. Remember, museums, galleries, and even commercial products are active participants in shaping the reception of art and its messages. What’s your take away? Editor: It definitely opened my eyes to how deeply ingrained socio-political messaging can be in seemingly simple images. Now, when I look at other works from that era, I'll be asking what values and power dynamics are in play. Thanks for that!

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