Chinese Princess Chu Lianxiang (So Renkō) with Butterflies, spring kyōka surimono for the Manji Group led by Shinratei Manzō 2nd) by Utagawa Kunisada

Chinese Princess Chu Lianxiang (So Renkō) with Butterflies, spring kyōka surimono for the Manji Group led by Shinratei Manzō 2nd) c. 1825 - 1829

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Dimensions Paper: H. 20.7 cm x W. 18.4 cm (8 1/8 x 7 1/4 in.)

Curator: This delicate print, found at the Harvard Art Museums, is a spring kyōka surimono by Utagawa Kunisada, who died in 1865. It depicts a figure known as Chinese Princess Chu Lianxiang with Butterflies. Editor: There's a distinct melancholic quality in the portrait. Her lowered gaze and the muted tones create a sense of longing, don't you think? Curator: Definitely. It's also important to remember that these prints were often commissioned by poetry groups. The image and text were intertwined, reflecting social networks and cultural aspirations. Editor: The details in her garments, the layering and patterns, really showcase the labor-intensive process of traditional woodblock printing. Notice the precision of the lines defining the fabric. Curator: And her elaborate hairstyle, adorned with butterflies, hints at theatrical interpretations, reflecting the artist's ties to the Kabuki world and the performance culture of the time. Editor: Seeing the careful craftsmanship makes me think about how this type of print served not just as art, but as a commodity circulating within a specific social sphere. Curator: Precisely. It's a fascinating glimpse into the artistic practices and social dynamics of Edo-period Japan. Editor: A tangible reminder of both artistry and exchange.

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