A Man who Suddenly Fell Over by  Michael Andrews

A Man who Suddenly Fell Over 1952

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Dimensions: support: 1206 x 1727 mm frame: 1380 x 1890 x 70 mm

Copyright: © The estate of Michael Andrews | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is "A Man Who Suddenly Fell Over" by Michael Andrews. It's quite large, painted with oil on canvas. The scene feels so surreal, almost dreamlike. What story do you think Andrews is trying to tell? Curator: Ah, a very human story, wouldn't you say? I feel that this work captures a moment of unexpected vulnerability and the reactions it provokes. The woman’s expression contrasts sharply with the man's…a comedy of errors, perhaps? It's funny and poignant all at once. Editor: So, you’re saying the painting is as much about the fall as it is about the reactions? Curator: Exactly! It's like Andrews invites us to consider our own responses to the stumbles of others, both literal and metaphorical. Editor: I hadn’t thought of it that way. There’s so much more to this painting than meets the eye.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/andrews-a-man-who-suddenly-fell-over-t00169

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tate 2 days ago

In common with much of Andrews's work this picture is partly autobiographical. It was painted for his Diploma Examination shortly before leaving the Slade School of Art to face a period of uncertainty. He later commented that this painting was 'about the complete upsetting of someone's apparently secure equilibrium and about their most immediate efforts at recovery and their attempt to conceal that they have perhaps been badly hurt or upset'. This might explain why the man seems to grin instead of crying out in shock. The image of the body destablised in space was of interest to a number of artists in the 1950s, including Francis Bacon and Anthony Caro. Gallery label, September 2004