Vier vrouwen op een bankstel 1869 - 1936

Theodorus Henricus Kerstel made this drawing of four women on a sofa, probably with graphite or ink, but definitely with an observant eye. Look how he uses just a few lines to suggest the folds of fabric, the curve of a cheek, the weight of a skirt. The surface is all about this shorthand, how a single mark can evoke so much. There's a playfulness in the economy of the lines, a sense that Kerstel isn't trying to capture every detail, but rather to give us the essence of a moment, a feeling of a group of women in repose. And isn't that what drawing is all about? It's like a conversation between the artist and the paper, a dance of mark-making that invites us to join in and complete the picture with our own imaginations. I am reminded of drawings by Paula Modersohn-Becker, where simple lines capture so much about the lives of women. Art is always an ongoing conversation, with no final word.