Karel VI gekozen tot Duits keizer 1711

Editor: This is a bronze relief sculpture by Philipp Christoph Becker, titled "Karel VI gekozen tot Duits keizer," made in 1711. It seems to capture a significant historical moment. I am intrigued by its formality. How do you read this work? Curator: This baroque medal presents us with far more than just a portrait of an emperor. We see the visualization of power, embedded in a historical moment, sculpted through a lens of political legitimization. Consider the historical context: Charles VI's claim to power wasn't without contestation, making symbolic affirmation essential. Editor: So, the image isn’t just a representation but an argument? Curator: Exactly. Notice how Charles is depicted in armour, not just as a ruler but as a protector, a warrior. The inscription surrounding his effigy isn't merely descriptive. It proclaims his virtues and achievements. What statement does the reverse of the medal seem to make? Editor: The back with the Latin inscription "Constantia et Fortitudine" suggests steadfastness and courage. But, isn't that what all rulers wanted to project? Curator: Absolutely. But consider it in the frame of the early 18th century, a period marked by power struggles and shifting alliances. Becker’s artwork, thus, transcends mere celebration, acting as a crucial piece in shaping a political narrative. Editor: That's fascinating. It shows how art could act as propaganda. It is interesting how this little object condenses such complicated and critical statements! Curator: Precisely. Analyzing art like this medal urges us to question the role of art in influencing and cementing societal power structures. It is all there embedded in the relief and lettering.