Le Passage Cottin c. 1910

Editor: Utrillo's "Le Passage Cottin" captures a street scene with thick paint and muted colours. The buildings seem to slump, almost exhausted. What can you tell me about Utrillo’s process here? Curator: Look at the materiality. The paint isn't just representing buildings; it *is* the buildings. Utrillo often used plaster, reflecting his experience working-class Montmartre. How does that influence your understanding of the artwork? Editor: It's like he's building, not just painting, the city, brick by brick. I hadn't considered the social implications of the materials. Curator: Precisely. He elevates the everyday materials of construction to the realm of fine art. The act of making becomes a social commentary. Editor: I see now how the materiality underscores the theme of everyday life and labor. Curator: And challenges traditional art hierarchies by embracing humble resources.