Untitled (bridal portrait, St. Louis, Missouri) c. 1920s

Curator: This photograph, currently held at the Harvard Art Museums, is an untitled bridal portrait by Martin Schweig. Editor: It's a wistful image, almost dreamlike with the soft focus and layers of veiling. I'm drawn to the texture of the floral arrangement. Curator: The veil, of course, carries so much weight. Purity, promise, but also a kind of obscuring – the woman stepping into a new role, partially hidden from her former life. Editor: I wonder about the labour involved in creating such a delicate veil. It speaks to a certain class, a disposable income allowing for such intricate detail. Curator: Perhaps. The flowers, too, their fleeting beauty mirroring the ephemeral nature of the wedding day itself. A potent symbol of love and renewal. Editor: The choice of backdrop is quite interesting – the ornate sofa and patterned rug seem to communicate the domestic expectations placed on women in this era. Curator: Precisely. Thank you for those insightful observations. Editor: An interesting photo, to be sure. I am off to the next artwork.