Basreliëf in de muur aan de oostzijde van de Borobudur Possibly 1873 - 1879

Editor: This gelatin-silver print captures a bas-relief on the eastern wall of Borobudur, possibly from the 1870s, by Isidore Kinsbergen. It depicts rows of figures in intricate detail. The lower register looks like people bartering or at school? What symbols are standing out to you? Curator: What immediately strikes me is the clear division between registers – the upper one feels processional, almost regal, wouldn't you say? And then the lower one has a more communal, didactic air about it. Consider the repeated lotus motif; see how these reoccurring symbols denote purity, spiritual awakening, even enlightenment. Do you see any lotus motifs within each register? Editor: Yes, above the seated figures, but I am struggling to link the spiritual meaning to everyday life. It seems to reflect a very rigid structure. Curator: Perhaps the lotus isn’t merely decorative but a reminder, even in daily affairs of trade or study, of higher ideals. And the structure reflects not rigidity but social harmony, where each person occupies a distinct, yet valued role. Consider the seated figure to the lower right and its location…do you notice this difference, relative to the lower left? Editor: It's raised on a platform, making him appear like royalty! It's like all things earthly below, but a symbolic ascension to the top. Curator: Precisely. It presents not merely a snapshot of daily life, but a codified vision of society and its aspirations. What does this say about how those aspirations endure across centuries? Editor: It's fascinating to see how everyday moments and symbols of something sacred intertwine. I appreciate you guiding me to find the cultural significance through a recurring shape.