Untitled [seated female nude with left foot on stand] 1955 - 1967

Richard Diebenkorn made this drawing of a seated nude, we don't know when, using ink on paper. The lines are sparse but purposeful, a real distillation of form. See how the ink varies, sometimes thick and bold, other times a mere whisper? It reminds me that drawing, like any art form, is a process of discovery, each mark a step in a visual conversation. I’m drawn to the way he captures the weight of the body with such minimal means. The bold, almost cartoonish outline of the thigh contrasts with the delicate, tentative lines that define her face and torso. It’s like he’s inviting us to complete the image ourselves, to fill in the blanks with our own perceptions and experiences. This reminds me of Matisse's line drawings; both revel in the power of simplicity. Ultimately, this drawing celebrates ambiguity, and the ongoing dialogue between artist, subject, and viewer.