Koppen 1840 - 1880

Editor: This drawing, titled "Koppen" by Johannes Tavenraat, made between 1840 and 1880, is comprised of ink and graphite on paper. It reminds me of a sketchbook page filled with character studies. What can you tell me about it? Curator: Well, from a materialist perspective, let’s think about what it means to produce images like these, rapidly, with pen and ink and graphite. These materials were becoming increasingly accessible. What do you think this ease of access says about the art of this time period? Editor: Hmmm, maybe that it wasn't just about these perfectly polished paintings that were getting exhibited. It allowed more casual observation and quick studies? Curator: Precisely! And think about the paper itself - likely relatively inexpensive. These sketches served a specific purpose, exploring physiognomy, caricature – almost a visual cataloguing of social types. Tavenraat is using readily available materials to analyze and represent people. What kind of societal commentary do you see emerging? Editor: Perhaps he’s commenting on the perceived social classes, satirizing certain individuals he’s observed… but is that accessible through just his choice of materials? Curator: Not *just* materials, but that is crucial to examine in order to find what isn’t presented on the surface. Pen and ink afford detail, reproducibility to some extent – suggesting a purpose beyond pure artistic expression, a potential for wider distribution, socially conscious pieces made possible with cheaper means. Editor: I see what you mean. Focusing on the materials makes you think about production, labor, accessibility, not just pure aesthetic value. Curator: Exactly! And hopefully, considering these sketches in the context of their creation deepens our understanding and appreciation of the artist's labor.