Medaillon met portret van Kasimire von Lippe-Detmold, met aan beide zijden christelijke personificaties by Daniel Nikolaus Chodowiecki

Medaillon met portret van Kasimire von Lippe-Detmold, met aan beide zijden christelijke personificaties 1780

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Dimensions: height 55 mm, width 70 mm

Copyright: Rijks Museum: Open Domain

Curator: So here we have Daniel Nikolaus Chodowiecki’s “Medaillon met portret van Kasimire von Lippe-Detmold, met aan beide zijden christelijke personificaties,” an engraving from 1780. Editor: It feels...restrained. Elegant, certainly, but there’s this hushed quality to the scene, almost like everyone is holding their breath in deference to the Countess. Curator: Chodowiecki, although influenced by Rococo, was moving towards a Neoclassical restraint, and this is evident here. The print depicts Kasimire von Lippe-Detmold surrounded by allegorical figures representing Christian virtues, embodying ideals of piety and moral uprightness of the era. I find interesting the artist’s choice of engraving, which allowed for the wider distribution of imagery and values during the late eighteenth century. Editor: Absolutely. The texture, though, it's almost velvety despite being lines on paper. I keep imagining the engraver hunched over a table, meticulously etching each line... feels deeply connected to labor, which, given her social standing, might be ironic. Her elaborate coiffure... did it take an army of maids hours to build? Curator: Certainly. The means of artistic production during this period dictated both the accessibility of the image and its inherent cost, speaking volumes about social structures and their embedded inequalities. Engravings facilitated knowledge dissemination to a bourgeois audience eager for historical narratives or aristocratic portraits, subtly reaffirming class distinctions. Editor: It's this strange paradox isn't it? Accessibility created through incredible labour intensivity! What does it tell us about the circulation of influence and power at that time? I love how this small print teases out threads of those very human stories. Curator: Precisely. It allows us a glimpse into the complicated matrix of aristocratic life and artistic craftsmanship during the late 1700s. Editor: Yes! An everyday object becomes a small but beautiful time capsule of human endeavor.

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