Dimensions: support: 552 x 648 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Thomas Gainsborough's "An Old Horse," housed at the Tate. There’s such a sense of melancholy about it. The horse seems weary, almost resigned. What do you see in this piece that speaks to the social context of its time? Curator: The depiction of an aging working animal prompts us to consider evolving attitudes toward labor and the rural landscape in 18th-century England. How did shifting agricultural practices affect the perception and treatment of animals? Editor: That’s a perspective I hadn’t considered. It makes me think about the changing relationship between humans and animals during that period. Curator: Exactly. The painting then becomes a reflection of broader societal shifts and the politics embedded in everyday imagery.
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http://www.tate.org.uk/art/artworks/gainsborough-an-old-horse-n01484
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This lively and loosely sketched picture of an old horse dates most likely from the mid 1750s, relatively early in Gainsborough's career when he was still living in his native Suffolk. Once in the possession of Gainsborough's family, the picture was described in 1896 as 'an aged cart-horse, much emaciated and just taken from work'. Sketched from life, it demonstrates Gainsborough's enjoyment in copying directly from nature, which he did throughout his life either for sheer pleasure or as preparatory study for elements in his finished oils. Gallery label, November 1996