Ole vovhals 1796 - 1802

Editor: Here we have "Ole vovhals," a drawing or print made between 1796 and 1802 by M. W. Schmith. It’s an intriguing portrait, a quick sketch maybe? There’s something almost caricatured about his features. I’m wondering, what catches your eye in this piece? Curator: Well, he certainly has character, doesn't he? His name, if translated, I believe roughly comes to something like "Ole Sausage-Neck." You have to imagine him, perhaps a slightly theatrical figure about town. I wonder, did Schmith see something of himself in old Ole? Notice how Schmith captured the details—the turned-up nose, that rather peculiar chin. I see a man etched by life, by maybe a bit too much schnapps! What do you think Schmith wants us to *feel* about this man? Editor: That's interesting, the translation of his name… It gives it all a comedic twist! I guess the way he's presented makes me think there’s humour intended but maybe respect too, for his... individuality. The fine lines feel delicate almost, giving him a sort of dignity, even if slightly… well, odd. Curator: Exactly! It’s a delicate balance, isn’t it? To capture the individual, the… *ahem*… peculiarities, with both humour and respect. The medium itself contributes, wouldn't you say? Think of a big oil painting, full of grandeur. Would that work for our Ole here? Editor: No, I think the quick sketch feel gives him this spontaneity, like we caught a glimpse of his actual personality. Definitely a lot more fitting than heavy oil paints. I’m going to remember to consider how technique also conveys emotion. Curator: Indeed. Perhaps our friend Ole even had a good laugh about this portrait himself. Art's funny like that, a glimpse of life with a wry smile.