Embroidery c. 1941

This embroidery was created by Herman O. Stroh, though we don't know exactly when. The stitches are small and neat, with a limited colour palette of blues, yellows, and browns. It’s a kind of homespun process art. The material aspect of this work is fascinating. The texture is soft, almost faded, and the colours are muted. It’s a beautiful surface, aged and worn, with a handmade quality that speaks of care and dedication. Look at the sinuous line of blue leaves and berries that snakes across the bottom half of the piece. The curves are organic, imperfect, and they create a sense of movement and rhythm. This one gesture captures the spirit of the whole piece: a blend of control and freedom, intention and accident. This piece reminds me a little of the work of Ree Morton, who used to make these amazing, sculptural wall pieces with a similar kind of quirky, handmade aesthetic. Both artists embrace the idea of art as an ongoing conversation, a dialogue between materials, techniques, and ideas.