photography
portrait
street-photography
photography
historical photography
old-timey
naïve-art
Dimensions height 110 mm, width 90 mm
This photograph from the Estate of Isabel Wachenheimer, made by an anonymous artist, shows a child holding a small, dark object. I can imagine the artist observing their subject, waiting for just the right moment to press the shutter. It's interesting to see the different textures captured in this image. The solid flatness of the doors in the background, the frilly lace on the table, and the child's dress which looks so crisp. And then there's the more transient, ephemeral nature of the objects. The child’s expression is unreadable. She is holding the object delicately as though she's examining its secrets. I wonder, is she happy? Is she sad? What is she thinking? There’s something very compelling about the ambiguity of the image, like a painting that invites multiple readings. It’s a snapshot of a moment in time, but it also speaks to the mysteries of childhood, and the passing of time. I’m reminded of artists who create a feeling of nostalgia like Gerhard Richter, who also works with photography. Artists are in an ongoing conversation with one another.
Comments
In 1928 a daughter, Isabel, was born to Eugen and Else Wachenheimer. In 1934 they posed before the family home in Stuttgart on Isabel’s first day of school. The photograph at the lower right was taken almost ten years later (1943) in the Westerbork transit camp. Isabel had been rounded up in Amsterdam five months earlier. The family was first sent to Theresienstadt and then on to Auschwitz-Birkenau, where Eugen and Else were gassed. Isabel was condemned to forced labour.
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.