Oerwoud met Indiase tempels 1729

Bernard Picart created this print, "Forest with Indian Temples," in the early 18th century. It presents a European interpretation of Indian religious practices. Picart never traveled to India, so his understanding came from second-hand accounts and the prevailing orientalist views of his time. The print blends exoticism with moral commentary, a common trope in early European depictions of non-Western cultures. Figures are shown engaging in various acts of penance, framed by the artist as both strange and savage. Note how the artist positions the "Indian temples" within a dense, almost impenetrable forest, reinforcing a sense of otherness. This image tells us less about Indian spirituality and more about the European gaze, revealing the complex interplay between identity, representation, and power during the age of exploration and colonialism. The emotional impact of the work lies in its projection of European fantasies and fears onto an imagined "Orient."