The Banks of a River by Charles Jacque

The Banks of a River 1846

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drawing, print, etching, paper

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drawing

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print

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pen sketch

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etching

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landscape

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etching

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paper

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romanticism

Dimensions 83 × 105 mm (image); 90 × 156 mm (chine); 92 × 175 mm (plate); 232 × 327 mm (sheet)

Editor: Here we have "The Banks of a River," an etching from 1846 by Charles Jacque, currently residing at The Art Institute of Chicago. It’s incredibly detailed given its small scale and monochromatic palette. There's something very peaceful, almost melancholic about it. What stands out to you? Curator: Melancholy, yes! It whispers of fleeting moments, doesn’t it? Notice how the light seems to both illuminate the scene and shroud it in a soft haze. The artist uses these delicate lines, like barely-there brushstrokes, to suggest the constant dance between light and shadow. And that distant church spire... is it a beacon of hope, or a reminder of something lost? I love the suggestion of movement; the water flowing, the birds perhaps flying overhead. It is an intimate and ephemeral dance! Does that imagery prompt something in you, perhaps a specific memory of observing nature? Editor: It does actually! There's a river near my grandmother’s house that looks a bit like this – same sense of openness but also a quiet solitude. Do you think that personal connection to nature was something that Romantic artists were consciously trying to evoke? Curator: Precisely! The Romantics were head-over-heels for that direct, emotional connection to nature – almost a spiritual kinship. Jacque gives us not just a visual record but an emotional landscape – our memory of nature intertwines with Jacque's and, suddenly, his vision is *ours*. Isn’t that fabulous? A little shared world accessed via this humble etching. Now, consider the scale; this image would be incredibly intimate, demanding we get close, mirroring that deeply personal experience the Romantics yearned for. Editor: So it’s not just about seeing a river scene, but *feeling* that personal connection on a more human scale, drawing us in... almost forcing reflection. Curator: Exactly! And perhaps making us yearn for those simple, solitary moments, which seem, alas, all too fleeting in this crazy world. Thanks for walking me down memory lane... I now recall summer with my grandma! Editor: This has certainly given me a fresh perspective on how to view landscape art...looking beyond the mere depiction! Curator: My pleasure! Remember to find *your* personal connection to each artwork. Let it stir those dormant emotions... or funny summer memories.

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