Francesco Gonzaga (1444-1483) c. 1902

Curator: Here we have a bronze medal of Francesco Gonzaga, made by an anonymous artist. It’s quite small, only about 8.7 centimeters in diameter. Editor: The light plays beautifully on the raised surfaces; it gives the portrait a rather severe and classical profile. Curator: The medal gives us clues to the political and social status of Francesco Gonzaga. Bronze casting allowed for the mass production and distribution of his likeness, quite the statement of power! Editor: The reverse, with its obelisk and hound, evokes a sense of loyalty and perhaps a longing for permanence. The composition really draws the eye to the center. Curator: Indeed. These objects circulated widely, reinforcing Gonzaga's image and solidifying his social standing within the political landscape of Renaissance Italy. Editor: Looking at the interplay of form and symbol, I’m struck by how the artist has captured not just likeness, but a sense of Gonzaga's ambition. Curator: And by examining the material and method of production, we gain insight into the values of the time. Editor: A fascinating study in miniature!