Two-handled Cup 1710 - 1711

Editor: This is Matthew Lofthouse's "Two-handled Cup," and it's made of silver. I'm struck by how the light plays on its surface and how the engraved designs repeat in a formal pattern. What do you see in this piece? Curator: The cup presents a compelling study in form and surface. Note the symmetrical arrangement of the handles and decorative motifs—scales, foliage—around a central cartouche. This bilateral symmetry establishes a formal balance. How does the cup's materiality influence your perception? Editor: The silver gives it a sense of refinement, of preciousness. I hadn't considered how the symmetry contributes to that feeling. Curator: Exactly. The chasing and repoussé techniques further articulate the surface, creating a tactile and visually engaging experience. The reflective quality of the silver also invites interaction with its surroundings. It’s a very deliberate composition. Editor: I see that now. Thank you. I've learned a lot about how to analyze symmetry in decorative objects. Curator: Indeed. Such careful examination reveals the artist's intent and the enduring power of formal elements.