Kachel van aardewerk, opgesteld in het archeologisch museum in Luik, België before 1884

This earthenware tile, displayed in the archaeological museum in Liège, Belgium, presents us with a fascinating array of decorative symbols. The tile's surface features floral arabesques. The arabesque, often seen in Islamic art, symbolizes the underlying order of the universe, an infinite pattern suggesting growth and divinity. But here, in Liège, its presence speaks to the cross-cultural exchange of ideas and motifs. Consider how similar abstract patterns appear in ancient Greek and Roman art, weaving their way through architectural friezes and vase paintings. The persistence of such motifs reveals our collective subconscious desire to connect with something larger than ourselves. This visual language transcends time, resurfacing in new contexts, each time carrying the weight of history while adapting to new cultural sensibilities. The arabesque, in its eternal dance, reminds us that we are all part of a continuous flow.