"This is the one when I was asleep. I had been in the hospital almost a month so I look kind of worn down. This picture does not do my room justice. It was all in pink and blue. I had a French telephone beside my bed on the radio that doesn't show up..." by Anonymous

"This is the one when I was asleep. I had been in the hospital almost a month so I look kind of worn down. This picture does not do my room justice. It was all in pink and blue. I had a French telephone beside my bed on the radio that doesn't show up..." c. 1930s

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

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nude

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modernism

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realism

Dimensions: image: 8 x 13.6 cm (3 1/8 x 5 3/8 in.) sheet: 8.8 x 14.6 cm (3 7/16 x 5 3/4 in.)

Copyright: National Gallery of Art: CC0 1.0

This photograph captures the artist asleep in a hospital bed, a moment frozen in sepia tones. It's so interesting because photographs like this tell stories about process, even if that process is hidden beneath the surface of the image. Here, the texture of the print itself adds to the story, doesn't it? The way the light catches the slightly worn surface. It reminds me that art doesn't always have to be about perfection. Sometimes, the imperfections, the little accidents, are what make it real, what gives it that emotional punch. Look at the way the light falls on the pillow beneath her head, it creates an image of soft surrender. It reminds me a little of the quiet intensity you find in the work of Felix Gonzalez-Torres, that use of a simple image to suggest something bigger, something about love, loss, and memory. Art is like a conversation, always echoing, always changing.

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