Portrait of a Gentleman, probably Arthur Parsons MD 1683

Curator: Simon Du Bois, a painter active in London during the late 17th century, likely completed this oil on canvas, "Portrait of a Gentleman, probably Arthur Parsons MD" during his time there. Editor: The first thing that strikes me is the way the sitter's gaze meets yours directly, and the swirling fabric and hair really animate the whole composition. Curator: This type of portrait served a crucial function for the rising professional classes. Du Bois captures the sitter's status—perhaps a doctor as the title suggests—through the fine lace and the quality of paint used. Editor: Lace, of course, was a symbol of sophistication and wealth. It’s also visually intriguing: the white lace contrasts against the red fabric, which directs the eye straight to the face. Curator: These portraits solidified social standing. The art market served a specific societal function in the late 17th century. Editor: Looking at it now, I can better appreciate how visual elements underscore the subject's position in society. Curator: Exactly, it's a document of artistic and social history, revealing aspirations of the period.