The Fourth Matsumoto Koshiro as a Man Walking under an Umbrella by Katsukawa Shun'ei

The Fourth Matsumoto Koshiro as a Man Walking under an Umbrella 1786 - 1806

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print, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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figuration

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woodblock-print

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genre-painting

Dimensions: 12 11/32 x 5 3/8 in. (31.4 x 13.7 cm)

Copyright: Public Domain

Editor: So, this is "The Fourth Matsumoto Koshiro as a Man Walking under an Umbrella" by Katsukawa Shun'ei, likely printed sometime between 1786 and 1806. It’s a woodblock print, part of the Ukiyo-e tradition. I find the figure very striking; his expression and stance feel so deliberately composed. What strikes you most about this piece? Curator: The subject's theatrical portrayal, caught mid-stride with his umbrella and pet, speaks volumes about Edo period celebrity culture. Consider that Ukiyo-e prints served as both popular entertainment and a means of disseminating information – almost like early social media. How might the portrayal of a Kabuki actor like Matsumoto Koshiro influence or reflect the social values and hierarchies of the time? Editor: That's interesting. I hadn't thought about the dissemination of social values through art. I see the figure as both idealized, as a celebrity, but also somehow… grounded by the presence of the dog, which feels quite real. Curator: Precisely! And notice how Shun'ei uses subtle visual cues. The actor's confident gaze, the patterned kimono, even the careful detail in the umbrella all reinforce a certain level of sophistication and status. But what about the other figures often missing from such portraits? Think about class structures, about whose stories *aren't* told here, and why. Editor: So, in some ways, it presents a particular, possibly curated view of the world? It raises questions about visibility, about who gets to be seen, and how they are represented. I guess that applies as much today as it did then. Curator: Exactly. Considering these elements helps us see Ukiyo-e prints not just as beautiful artworks but as active participants in shaping social narratives and reflecting existing power dynamics. They are documents of the era and interventions into the social fabric of the time. Editor: That's given me a completely new perspective on it. I’ll definitely be looking at Ukiyo-e with different eyes now. Curator: Likewise. Exploring the social and historical context behind even a single artwork reveals so much about its cultural significance.

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