Athletes Exercising in a Gymnasium by  William Roberts

Athletes Exercising in a Gymnasium 1920

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Dimensions: support: 451 x 359 mm

Copyright: © The estate of William Roberts | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is William Roberts' "Athletes Exercising in a Gymnasium." It has a really interesting composition, the angular forms of the figures and the muted colors give it a somewhat solemn, almost monumental feel. How do you interpret this work? Curator: Considering the social climate of post-World War I Britain, Roberts' focus on the body and physical strength takes on new meaning. Do you think the geometric forms reflect the industrialization and mechanization of society? Editor: That's a good point. Maybe there's a commentary on how individuals are becoming more like machines in this new era. Curator: Exactly! The gymnasium as a social space also becomes interesting. It's a place for discipline and the construction of a healthy populace. What does that communicate to you? Editor: I see it as a reflection of societal values and how they're instilled in individuals through institutions. Thanks for making me see that! Curator: Of course. Looking at art through the lens of social history always opens up new avenues of understanding.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/roberts-athletes-exercising-in-a-gymnasium-t00322

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tate 2 days ago

Vorticism failed to survive the First World War. Many of its artists went into the Armed Forces. Roberts joined the Royal Field Artillery in 1916, and later became an Official War Artist. In 1920 he exhibited this drawing at the only exhibition of 'Group X'. Formed in 1919 by Wyndham Lewis and Edward McKnight Kauffer, 'Group X' was a short-lived attempt to rally the avant-garde, and to provide an alternative to the relatively traditional London Group. Roberts had been at the centre of Vorticist activity before the war. However, in later publications such as 'William Roberts: Some Early Abstract and Cubist Work 1913-1920', he revealed the extent to which he had disliked Lewis's arrogant leadership. Gallery label, September 2004