Light Artillery, Sergeant by Oliver H. Willard

Light Artillery, Sergeant 1866

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daguerreotype, photography, albumen-print

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portrait

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16_19th-century

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vintage

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character portrait

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photo restoration

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daguerreotype

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archive photography

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photography

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historical photography

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historical fashion

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old-timey

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character design

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19th century

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nostalgic styling

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history-painting

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albumen-print

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realism

Dimensions: image: 20.4 x 14.7 cm (8 1/16 x 5 13/16 in.) mount: 33.7 x 25.8 cm (13 1/4 x 10 3/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This albumen print, entitled "Light Artillery, Sergeant," was produced circa 1866. What do you make of this photograph? Editor: My immediate impression is one of subdued grandeur. The subdued tones emphasize the details, particularly in his uniform and accoutrements. His bearing, though seemingly relaxed, conveys a stoic strength, don't you think? Curator: I think so, but what I see is an echo of the photographic portrait’s democratization within Civil War-era American society. Photography was a powerful tool in shaping the perception and collective memory of military service during the period. Consider who these images served to impress: the man himself, his family, his community. Editor: An important point. However, focusing on form, notice how the vertical lines of the sword and trim are counterbalanced by the sergeant's slightly tilted posture, creating a dynamic visual tension despite the static medium. The artist—the photographer, in this instance—has deftly played with balance and imbalance. Curator: Precisely! And balance would be critical in crafting an image of control amid such potential chaos of war. But let's not isolate it stylistically. This photograph circulates amidst debates about heroism and duty; photographic portraits offered a tangible form of remembrance and national narrative shaping, even in relatively quotidian studio setups. Editor: Absolutely. Thinking of its pure composition, consider the texture created from the subtle aging and the grain of the print. The image has almost painterly qualities to it, achieving a visual depth rarely found in portrait photography. Curator: Indeed, which speaks to our modern understanding of what it preserves. Here, it's less about aesthetic invention, but how photographs shaped perceptions of the war and its veterans. It underscores how image and social role are deeply entwined. Editor: So we have a stoic, artfully crafted portrait of military virtue made tangible in an evocative period. Quite moving. Curator: Yes, a vital glimpse into our visual culture during the rise of American image making and how it immortalized ideas.

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