drawing, ink, engraving
drawing
allegory
baroque
classical-realism
figuration
ink
line
engraving
Dimensions height 175 mm, width 89 mm
Arnold Houbraken created this etching, "Personification of the Married State," sometime before 1719. Here we see a female figure, symbolizing marriage, adorned with flowers. The flowers allude to fertility and the blossoming of a new family. But note the chain around her foot. This symbolizes the restrictions and lack of freedom that come with marriage. The motif of binding or restriction recurs throughout history, often appearing in depictions of relationships or contracts. Think of the Roman tradition of tying the knot, where the bride's belt was tied as a symbol of marital bond. These symbols express a deep, subconscious ambivalence about the loss of individual freedom, echoed in Houbraken’s print. This image speaks to the complex emotions surrounding marriage. There is the joy and hope associated with new beginnings but also the weight of societal expectations. This is a powerful reminder of how cultural symbols carry layers of meaning that reflect the human condition. The chained foot recurs again and again through history.
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