Regeringsgebouwen aan het Waterlooplein te Batavia by Woodbury & Page

Regeringsgebouwen aan het Waterlooplein te Batavia 1876 - 1890

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print, photography, albumen-print

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print

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landscape

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photography

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orientalism

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cityscape

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albumen-print

Dimensions height 188 mm, width 238 mm, height 406 mm, width 521 mm

Curator: This albumen print, "Regeringsgebouwen aan het Waterlooplein te Batavia," taken sometime between 1876 and 1890 by Woodbury & Page, depicts government buildings in Batavia, now Jakarta. It’s part of the Rijksmuseum collection. Editor: Stark. It feels so formal and drained of life, despite what must have been vibrant tropical surroundings. Look at those imposing columns and long facade. Curator: Yes, that starkness really speaks to the power structures at play. The neoclassical architecture chosen to represent the Dutch colonial government mirrors European ideals of order and control. The visual language almost shouts dominion. Editor: And it's fascinating how photography is used here as a tool for documentation, but also, inevitably, propaganda. The albumen print itself, the process of layering egg white to bind the image, it lends a certain gloss to the endeavor. We're presented with permanence, stability, civilization brought to… Curator: To a new landscape. This image, as a cultural artifact, really captures the aspirations and impositions of colonialism. Even the name Batavia, it echoes Roman imperial ambition, overlaying history. Editor: Precisely. You almost sense the displacement, the layering of cultural identities. Look at the sheer human effort to erect such buildings and their environmental costs that it required for all the natural resources. Curator: It makes one consider how visual symbols serve both to represent a dominant power and unintentionally betray anxieties. The rigidity and the desire to impress… what were they afraid of? Editor: A wonderful question to ponder. Thank you, for letting me view it in a different light. Curator: It's been insightful discussing this photograph together. Every artwork speaks, if only we listen to its historical whispers.

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