Copyright: Public domain
Vajda Lajos made this print, "Rostos Tagolt Formák" in 1940. The texture of the marks in this print, achieved through the linocut technique, is so rich it almost feels like I can reach out and touch it. Look closely at the way Vajda used the tool to gouge out the linoleum block, creating a striking contrast between the black ink and the white paper. It is interesting how all the shapes are arranged around a central form that might just be a face. There’s this one part, on the bottom left side of the print, where the lines are so dense and close together, it almost feels like a solid mass of ink. Then, right next to it, there's this open space, carved out with such precision, that it creates a real sense of depth and dimension. This kind of stark, bold mark-making reminds me a bit of the work of some of the German Expressionists, like Kirchner, who were also exploring the expressive possibilities of woodcut and linocut during this time. These artists share a similar interest in using the graphic arts to convey strong emotions and create a sense of drama.
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