Sheep 1765 - 1785

Editor: So this charming sculpture, "Sheep" by Ralph Wood the Younger, dates back to the late 18th century. It's a ceramic piece currently residing at the Met. I find its stillness and simplicity quite striking. What can you tell me about it? Curator: Well, immediately, I think of the deep-seated symbolism of sheep across cultures. It is, of course, intrinsically linked to Christianity and the idea of innocence and the flock, guided by a shepherd. But even outside of religious contexts, consider the symbolic weight placed on them relating to agrarian prosperity and a pastoral ideal. Does the unassuming presentation belie a greater cultural narrative? Editor: That’s interesting, I hadn’t considered those layers of meaning. Given its creation during the late 18th century, might this be a subtle nod to those agrarian values during a time of industrial change? Curator: Precisely. It would speak to a visual memory of the British landscape idealized within the decorative arts. Reflect, too, upon the ceramic material itself. It transforms earthly substance into enduring form. Does the earthy, muted palette underscore the humble subject? It does. Editor: So, even the seemingly simple materials and the aesthetic choices contribute to this rich symbolism, building layers of historical and cultural meaning? Curator: Absolutely. And look at its placid pose and carefully rendered wool – a tangible expression of comfort, wealth, and safety perhaps? Consider, also, how frequently animal forms, especially docile creatures, become surrogates for human emotion or qualities. In this case, innocence or passivity. What do you think it evokes for today’s audiences? Editor: It makes you wonder if viewers now, removed from that agrarian life, might see something entirely different or perhaps a more universal sense of calm and vulnerability. I hadn't even considered the multiple layers of visual culture. Thanks.