Pa. German Salt Cup c. 1941

Editor: So this is Charles Henning’s “Pa. German Salt Cup,” made around 1941, a watercolor and graphite drawing of a ceramic cup. It has this simple, folk art charm, but also feels…almost scientifically observed. What stands out to you most in this work? Curator: Well, I feel a deep affection for this piece. The care Henning took to record this little vessel—I wouldn't be surprised if this was part of a collection inventory. There is a bit of naive reverence. I find that quiet intensity oddly moving. Makes you wonder, doesn't it, about all the overlooked beauty in everyday objects. Editor: An inventory…that’s an interesting way to see it! The symmetry also gets me, and how the folk art floral design feels intentionally primitive. Were they making art for arts sake or did it serve other purposes in this era? Curator: That's the magic, isn't it? This piece lives in both worlds, documenting and appreciating. Now, back then, the Pennsylvania Germans, or "Pennsylvania Dutch" as some folks called them—used Fraktur, a vibrant calligraphic style, for everything from birth certificates to bookplates, their ceramics also bore elaborate decoration. Editor: That makes total sense. So it’s more about everyday creativity. Did they use that creativity with their folk art design with spiritual expression, maybe nature coming through their creative lens? Curator: Ah, you're spot on. Symbols weren't just decoration, they held meaning. A tulip, for instance, could stand for faith, hope, charity— the big virtues. Editor: This has been insightful. Thanks so much! Curator: My pleasure! I have a whole new appreciation for this piece myself!