Melancholie 1914
print, woodcut
portrait
german-expressionism
figuration
expressionism
woodcut
line
Karl Schmidt-Rottluff created “Melancholie” with woodcut printmaking techniques. Imagine him carving into that block, each line a deliberate act of revealing or concealing, and the tension of the expressionist movement. The bold, angular forms speak volumes, don't they? He wasn’t trying to capture a likeness; he was after something deeper. The figure’s face, with its sharp features and downcast eyes, it's like a mask of sadness. I wonder, was Schmidt-Rottluff feeling this way? Or was he capturing something in the air at the time? Look at the way he used the black ink. You feel the weight of the mood, the way he cut away at the wood to let the light in, like little bursts of hope amidst the darkness. It reminds me a bit of some of Munch’s prints. These artists all contribute to an ongoing conversation about the human condition. It's a reminder that art allows for endless perspectives.
Comments
Melancholy depicts a woman seated behind a table, a bowl and platter set before her. A female nude, perhaps one of the artist's models, stands behind her. As one of the original members of the Expressionist group known as "Die Brücke" (The Bridge), Schmidt-Rottluff mastered the powerful vocabulary of hatchings and gouges that made for the strongest of Brücke woodcuts. After the breakup of the group in 1913, his subject matter became increasingly introspective, as in this heartfelt image of mute sadness.
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