Clock by David Roentgen

Clock 1775 - 1795

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metal, sculpture, wood

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neoclacissism

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metal

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sculpture

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wood

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decorative-art

Dimensions: Overall: 18 1/4 × 12 1/2 × 8 1/4 in. (46.4 × 31.8 × 21 cm)

Copyright: Public Domain

Curator: Let’s turn our attention to this remarkable clock, dating from between 1775 and 1795, crafted by David Roentgen. It’s currently housed here at the Metropolitan Museum of Art. What strikes you initially about this piece? Editor: You know, it has a kind of stern beauty, doesn't it? A sense of…inevitability. That deep reddish wood combined with the precision of the clock face. It feels like something you’d find in a philosopher's study, not just a parlor. Curator: I concur. The piece certainly embodies Neoclassical principles with its clean lines and geometric structure. We observe a clear tripartite division—base, body, and cornice—each contributing to its overall symmetry. The materials also play a key role. Editor: Yes, that mahogany… it practically vibrates. It’s as if Roentgen wasn’t just building a clock, but capturing time itself in solid form. And those little golden details - almost like the glint in someone's eye, you know? A knowingness. Curator: Indeed. The combination of the wood, metal, and those ormolu accents underscores the opulence associated with decorative arts of this period. We can further appreciate the function of the gilded elements as they contribute contrast while leading the eye across the structure. Editor: Do you ever think about the lives lived alongside a clock like this? The secrets it's heard, the days it's ticked through... Did it witness whispered love confessions, grand political strategies? It's a silent guardian of moments, don't you think? Curator: In its way, yes. Clocks of this era symbolized more than mere timekeeping; they were emblems of status and scientific accomplishment. They represent Enlightenment ideals focused on reason and order within the universe. Editor: And yet, trapped within this perfect order, is a wild spirit... Roentgen’s artistry adds so much, like whispering that even the most controlled life still races towards its end. Curator: A poignant thought. It reminds us of how design can encapsulate grand narratives and intimate human truths. Editor: Precisely. Next time I glance at a clock, I will remember the quiet drama imbued into this elegant form.

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