Female Nude with Two Seahorses, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis" 1599 - 1622

This print of a female nude with two seahorses was made by an anonymous artist using engraving. Engraving is an intaglio process, where the artist carves lines into a metal plate, applies ink to these lines, and then transfers the image to paper under high pressure. This technique requires incredible precision and control. Look at the variations in line weight that create the illusion of depth and volume, particularly on the bodies of the seahorses. The labor-intensive nature of engraving emphasizes the skill required to produce a print with such fine detail. This print belongs to a larger series documenting ancient cameos and gems. Consider the cultural significance of reproducing classical art in print form. It allowed for wider dissemination and study, contributing to the revival of classical aesthetics during the Renaissance. The material process of engraving becomes a tool for cultural transmission. It democratizes access to classical imagery, extending its influence to a broader audience, and blurring the lines between art, craft, and cultural production.