Celtic Ornament no. 1. Lapidary ornamentation 

Owen Jones created this lapidary ornamentation, titled Celtic Ornament no. 1. The immediate visual experience is dominated by intricate, interwoven patterns that evoke a sense of complexity and depth. The shapes are mostly curvilinear, creating a fluid, rhythmic effect, inviting the eye to wander through the labyrinthine designs. Jones employs a structural logic characteristic of Celtic art, using repetition and symmetry to construct visually captivating forms. These patterns are not merely decorative, they function as a semiotic system, with each motif carrying symbolic weight. The artwork also destabilizes conventional notions of representation by abstracting natural forms into geometric patterns. Jones’ ornamentation is not simply aesthetic; it's a philosophical statement about the interconnectedness of all things. The precise lines and detailed execution encourage us to contemplate the relationship between form and meaning. By exploring the structured beauty of Celtic design, Jones compels us to question the boundaries of art and its potential for conveying profound cultural narratives.