Head of an Old Man 19th-20th century

Editor: Here we see "Head of an Old Man" by Alphonse Legros. The hatching feels almost photographic, capturing so much texture in his face and beard. What stands out to you? Curator: Legros was working in a period where art became increasingly democratized through printmaking. How might this study, likely for a larger project, reflect the growing accessibility of images and the public's fascination with the individual? Editor: That’s interesting. It feels very personal and intimate though. Curator: Indeed, and perhaps that perceived intimacy is itself a carefully constructed element, playing into the burgeoning market for portraits catering to middle-class aspirations. We must consider the socio-economic forces at play. Editor: I hadn't thought about it that way. Curator: It makes you wonder, doesn't it, about the artist's intention and how it connects to the world at that time.