Medaillon met een uil en medaillon met een hond en twee vogels by Pietro Ruga

Medaillon met een uil en medaillon met een hond en twee vogels 1817

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comic strip sketch

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pen illustration

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dog

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personal sketchbook

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idea generation sketch

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pen-ink sketch

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thin linework

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pen work

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

Dimensions: height 165 mm, width 216 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Medaillon met een uil en medaillon met een hond en twee vogels" from 1817, by Pietro Ruga. It looks like pen and ink on paper. It has a very light, almost decorative feel to it, with those circular medallions and delicate floral patterns. What do you see in this work, particularly within its historical context? Curator: What strikes me is how this seemingly innocent sketch speaks to the 19th-century fascination with symbolism and societal structures. The owl and dog, contained within those medallions, aren't simply animals, are they? Think about how these creatures were viewed during that era. The owl, often associated with wisdom, but also with the night, the marginalized. And the dog, a symbol of loyalty, domesticity, and the controlling structures of home and property. Editor: That's interesting! I hadn't considered the owl as a potentially subversive symbol. The juxtaposition is fascinating. Curator: Exactly! Now consider the medium: pen and ink, readily available, democratic even. Was Ruga using this accessibility to create something for a wider audience, subtly challenging the existing social hierarchy through allegorical images of animals? Or are these the innocent meanderings within the sketchbook of a privileged class enjoying art for the sake of design, ignorant to any social or political unrest? How can an artwork from over two centuries ago help us question what constitutes activism today? What voices are privileged, what symbols do we overlook in the present? Editor: It's amazing how a simple drawing can spark so many questions. It makes me consider the power of symbolism in art and how it can reflect the complexities of society. I guess even sketchbook drawings can contain layers of social critique! Curator: Precisely! Art is never created in a vacuum, and this drawing prompts us to think critically about the socio-political environment in which it was produced and received, and the dynamics that persist today.

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