photography, gelatin-silver-print
portrait
art-nouveau
photography
gelatin-silver-print
Dimensions: height 211 mm, width 130 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have Nicola Perscheid’s “Portret van een onbekende vrouw,” a gelatin silver print made sometime before 1900. What strikes you first about it? Editor: It has a melancholy feel. The sitter's averted gaze, the muted tones, all suggest a kind of… wistful longing. Even the decorative elements around the sleeves appear more like mourning bands than adornment. Curator: That's a compelling reading. I see how the art nouveau influence is inflected with a heavier feeling than just mere ornamentation. Considering the medium, the gelatin silver print would have allowed for a certain level of detail and tonal range, think about the chemical processes necessary to produce these soft gradations. Editor: I'm drawn to those gradations. They really create a depth that almost feels psychological. Note how she’s positioned in relation to what looks like another image in the background, partially obscured. The obscured images add layers of meaning. Is it her double? A suppressed desire? Curator: Interesting. Given that portrait photography was becoming more accessible to the middle class at the turn of the century, it is key to consider the conditions under which this image may have been made. The dark decorative embellishments, likely applied to the photographic negative before printing, seem significant. They might suggest a personal embellishment made affordable by new technologies. Editor: I'm taken by the way Perscheid captures something that feels universal despite the woman being anonymous. It transcends her social context; we feel a human presence across time through symbolism. Curator: I agree, and looking at this gelatin silver print again, I'm impressed with how he's managed to get such tonal depth using relatively simple materials. He draws our attention to the process as much as the subject. Editor: Exactly, both in process and presentation, there's something enduring in this study of emotion as visual code. Thank you. Curator: Yes, seeing how processes both obscure and clarify our understanding offers a new dimension to considering this image.
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