1859
Ovid among the Scythians
Listen to curator's interpretation
Curatorial notes
Eugène Delacroix painted Ovid among the Scythians with oil on canvas. Delacroix's painting depicts the Roman poet Ovid in exile among the Scythians, a nomadic people inhabiting the region north of the Black Sea. In it we see a juxtaposition of civilizations: Ovid, the epitome of Roman refinement, is shown surrounded by what the artist presents as a wild and ‘uncivilized’ culture. France in the 1800s saw a fascination with the ‘Orient’, in part stoked by military campaigns. It was a trend which often relied on fantasy and stereotype. The politics of imagery here reveal a dichotomy between the perceived sophistication of the West, and a somewhat Orientalist view of ‘other’ cultures. The way this artist pictures Ovid is one that emphasizes his status as a civilizing influence. To understand such a work better, scholars might explore texts from the period that discuss ideas of civilization, barbarism, and cultural exchange.