Sekidera Komachi, from the series "Pictures of No Performances (Nogaku Zue)" by Tsukioka Kôgyo

Sekidera Komachi, from the series "Pictures of No Performances (Nogaku Zue)" 1898

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Dimensions Approx. 25.2 × 37.4 cm (10 × 14 4/3 in.)

Editor: So, here we have Tsukioka Kōgyo’s "Sekidera Komachi" from 1898. It’s a woodblock print. I’m struck by the image of this elderly woman in what looks like a makeshift swing. What layers do you see at play within this image? Curator: This print is fascinating, especially when considering the history of art’s relationship with the representation of women. Ukiyo-e prints often depicted idealized beauties. Kōgyo’s choice to depict Komachi in old age is a stark departure. Why, do you think, has he chosen to represent this older woman in the format typically reserved for young, beautiful ones? Editor: Perhaps to subvert expectations and challenge those very notions of beauty and worth based on age and status? The swing seems to elevate her in some way, despite her obvious poverty. Curator: Precisely. This alludes to the Noh play of the same name, which is referenced in the series title "Pictures of No Performances." Consider also how Japanese society and its performance art valued stories of hardship, wisdom gained through experience. The swing stage visually connects the elderly Komachi with theatrical traditions, reminding viewers of the broader social and cultural narratives that give her story significance. The writing behind and above her could hint at her poetry and reputation. Is this possibly suggesting her true worth comes not from societal beauty standards, but from intellectual achievement, as perpetuated in cultural memory? Editor: So, the image uses ukiyo-e traditions but critiques them by elevating a marginalized figure, inviting viewers to reconsider societal values... Interesting! Curator: Exactly! It makes us think about the public role of art and who gets to be represented, and how. I find it makes the work both aesthetically beautiful, and extremely politically resonant. Editor: I never would have considered all of those social layers. Now, when I look at the print, I can appreciate the artist’s bold move. Thanks for sharing!

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