In der Gumbertuskirche in Ansbach 

Curator: This intriguing pencil and graphite drawing by Karl Ballenberger captures the interior of the Gumbertuskirche in Ansbach. The artwork is simply titled "In der Gumbertuskirche in Ansbach" and currently resides in the Städel Museum collection. Editor: It’s quite understated. The subdued graphite tones create this almost dreamlike scene of quiet introspection within the architecture. It feels empty, but somehow very full. Curator: Empty but full... I see what you mean. Consider the method. The layering of graphite gives such precise detail of the ornate woodworking—the craftsmanship on display shows repetitive carving requiring dedication to the act of production and use of materials. One can nearly trace the maker's steps through careful application. Editor: Precisely. The light filters through the details; the almost heart-like motifs along the upper rail repeat, lending themselves to notions of faith and love while that stark column implies support but could also symbolize the stoicism or strength of the Church itself. Curator: The repetitive heart motifs; were those created by a machine? What sort of labour was used to develop such precise carvings? The labour and processes were not entirely divorced from one another, with skilled craftsmanship playing a vital role. Editor: It creates this intimate space... Look how the light glances off the steps, leading upward out of frame; to me, it’s reminiscent of the journey of spiritual seeking. The architecture reinforces this ascent— the carvings speak to enduring devotion. Curator: A spiritual ascent built on timber and graphite... I think that's an astute point! And reminds me, how dependent spiritual pursuits have been historically on industries that were sometimes less spiritually minded! Editor: Indeed. Seeing how Ballenberger uses familiar images and the visual grammar of religious structures... It definitely speaks to how humans across time use art and architecture to engage with something bigger than themselves. Curator: This visit makes me consider what the labour that took place in producing such pieces was like, back when they first built this Gumbertuskirche. Editor: It is certainly a potent piece, provoking insights on enduring faiths with architecture that is truly a climb for something more!