Wijwaterbak met de doop van Christus by Franz Ertinger

Wijwaterbak met de doop van Christus c. 1677 - 1692

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engraving

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baroque

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old engraving style

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figuration

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personal sketchbook

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history-painting

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engraving

Dimensions height 223 mm, width 153 mm

Editor: This is "Wijwaterbak met de doop van Christus," or Holy Water Font with the Baptism of Christ, an engraving from around 1677-1692 by Franz Ertinger. The level of detail in such a small space is astounding! All of the baroque ornamentation is quite ornate. What strikes you about this work? Curator: Indeed. I find the tension between the clear central image, that of Christ's baptism, and the elaborate framework quite compelling. Observe how the linear precision of the engraving technique defines every detail. The composition is divided into discrete registers with varied subjects. Do you notice how the artist has constructed the space, dividing and framing different motifs with an intentional artificiality? Editor: I see that the central image of the baptism is clear and self-contained, like a framed painting within the larger design, whereas the frame is brimming with figures, ornamentation, and scrolling motifs. Curator: Precisely! The structure of the frame, replete with allegorical figures and floral motifs, functions almost as a commentary on the central scene, rather than merely serving as a border. Focus on the density of the lines. It builds form while contrasting light and shadow. This creates a fascinating push and pull for the viewer's eye. Do you agree that is compositionally effective in focusing attention on its themes? Editor: Absolutely. Now I see how all those different forms and that incredibly meticulous line work are essential for driving focus. I was drawn in by it being visually busy at first, but the different forms lead me into its theme. Curator: Exactly. The piece transcends mere decoration by achieving formal balance while incorporating multiple pictorial strategies. The very precise execution of Ertinger is technically accomplished, in addition to the levels of symmetry. Editor: Thanks for helping me really see the intricacies of the artwork and how it emphasizes its focus and depth. Curator: It has been a pleasure to examine its complex visual relationships with you. The piece continues to reveal itself through careful formal investigation.

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