Untitled 1996

This ‘Untitled’ painting by Arsen Savadov captures two ballerinas from an unusual, almost voyeuristic, bird’s eye perspective. The muted palette feels melancholic and nostalgic. Up close, you can see how the materiality of the paint contributes to the overall atmosphere. The surface is built up with visible brushstrokes, especially in the background and floor. The impasto creates a palpable sense of texture, as though the viewer could reach out and touch the gritty surface. This contrasts with the delicate rendering of the tutus, made with soft whites which create a frothy, ethereal effect. It's as if Savadov is exploring the dialogue between grit and grace. Looking at those hands reaching up, I'm reminded of Degas. Both artists capture the fleeting beauty of dance and the hidden labors beneath the stage. This piece shows how painting can be an ongoing conversation across time, embracing the ambiguity that makes art so alive.