H. Magdalena 1754

Pierre Etienne Moitte created this engraving of H. Magdalena in France sometime in the 18th century. The image depicts the Christian figure of Mary Magdalene in a state of grief or repentance. The skull is a visual reminder of mortality, and Mary Magdalene is commonly associated with themes of repentance and redemption. The engraving was made during the height of the Enlightenment, a period characterized by an emphasis on reason, science, and individualism. During this time, the Catholic Church still played a significant role in French society and culture. Religious imagery was therefore employed to reinforce certain social and moral values, but it was increasingly challenged by new intellectual and political movements. By contemplating the image of Mary Magdalene, the artist could explore these tensions while also commenting on the place of women in French society. To understand this image, you might research the Troyes Cathedral, where the original painting of Mary Magdalene was kept. Art historians often use primary sources such as letters, diaries, and period documents to understand the meaning of art in its original social context.