Joodse bruiloft in Marokko 1846 - 1853

Adolphe Mouilleron created this print of a Jewish wedding in Morocco using etching, a process that allows for the creation of fine, detailed lines. The intricate technique involves coating a metal plate with a waxy, acid-resistant substance, and then scratching the design into this layer. When acid is applied, it bites into the exposed metal, creating grooves that hold ink. This plate is then used to transfer the image onto paper. Mouilleron's choice of etching reflects a cultural fascination with exotic locales and customs. While the image captures a specific cultural event, the labor-intensive etching process allowed for the mass production and distribution of the image, and hints at the economics of art and representation in the 19th century. Paying attention to material, process, and historical context allows us to consider the complex layers of meaning embedded within this artwork, challenging traditional distinctions between fine art and modes of production.