The Angel Leaving Tobias and His Family, after Rembrandt 1820 - 1828

Curator: Richard Parkes Bonington, or at least someone in his sphere, created this evocative little scene, "The Angel Leaving Tobias and His Family," inspired by Rembrandt. Editor: Well, it's undeniably dramatic. A golden figure ascending amidst such shadowy earth tones creates a striking sense of the divine departing. It feels like a stage set, almost. Curator: It's easy to see why it's often linked to Bonington. He was fascinated by the old masters and making his own interpretations, engaging with the canon. The dramatic lighting and loose brushwork feel very contemporary. Editor: How interesting! It really speaks to art institutions canonizing Rembrandt as a master and the role museums play in shaping such artistic lineages. Does it make sense for Bonington to explore Rembrandt's pictorial style? Curator: Absolutely. It's like Bonington is reaching across time, participating in an artistic conversation through his brush. It's a beautiful homage. Editor: Thinking about it, I'm left with a sense of the sublime. Curator: Me too. A reminder of the power and mystery that great art can hold.