drawing, print, engraving
drawing
11_renaissance
history-painting
engraving
Dimensions: Sheet (Trimmed): 7 3/16 × 5 3/8 in. (18.3 × 13.7 cm)
Copyright: Public Domain
Curator: Well, the quiet intimacy here almost contradicts the history that's about to unfold, don't you think? This engraving, "The Visitation," by Jacopo Ciuccio, dating from 1604, depicts Mary's visit to her cousin Elizabeth, both pregnant and both carrying divine destiny. Editor: I agree; my initial thought was a kind of tender solidarity—the kind you can only share with someone who truly *gets* it. Their clasping hands create a closed circuit almost; as if shutting out the judging world for just a moment. The composition is amazing—very intimate in its depiction. Curator: The skill required for that hatching and cross-hatching in engraving... the tonality is spectacular for the medium, creating soft, rounded forms! Consider that Elizabeth, though older, represents a shift from an old order into something new with Mary carrying baby Jesus. How fascinating to frame it almost as…friendship. Editor: Absolutely, their meeting signifies a turning point, doesn’t it? But let's be clear about the stakes. For centuries, women's bodies have been sites of intense socio-political control. Their meeting, beyond the religious significance, subtly acknowledges female knowledge passed on to women by other women in the face of all obstacles. I almost want to create alternative narratives based on these moments! Curator: See, there's that subversive wink again. Ciuccio has these figures so gently touch hands as though acknowledging their burden—but with a serene beauty! It also says to me something very specific about vulnerability in these exceptional women who were chosen. Do you notice how the light seems to originate from them and spread around the engraving? Editor: A kind of “chosen ones” narrative—but what if these "chosen ones" themselves challenged the very structures that appointed them? Can we reimagine these narratives? See their tenderness, in contrast with historical erasure… almost as defiance. To have been able to express such love so intimately is such an accomplishment. Curator: And still now, the engraving stands almost like a whispered secret, so powerful within its quiet lines. The divine resides in what we build between each other—and is so simple! Editor: Yes, perhaps what is really being acknowledged in their gentle clasp is not only that passing on of wisdom and solidarity; but even revolution starts with a single, shared, intimate gesture. What this image ultimately tells me, is how radical it has always been, simply, to love.
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