Dimensions: height 437 mm, width 267 mm
Copyright: Rijks Museum: Open Domain
This undated print, whose author is unknown, presents twelve vignettes of everyday life. The images offer us a window into the social mores of its time, which I would guess to be late 18th or early 19th century France. Each scene is labeled with a title such as "The Fisherman," "The Banker," or "The Gossips," giving us a clue as to the social roles and activities that were considered noteworthy. The figures' clothing, poses, and interactions can be read as visual codes that speak to class, gender, and social status. The print seems to comment on the social structures of its time, offering a glimpse into the lives of both the working class and the bourgeoisie. It is neither overtly conservative nor progressive, but rather presents a slice-of-life view of French society. To understand this print better, we might consult historical sources on fashion, social customs, and economic conditions in France during the late 1700s and early 1800s. By situating the print in its social and institutional context, we can gain a deeper appreciation for its meaning and significance.
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