Portret van Willem van Nieulandt (II) by Joannes Meyssens

Portret van Willem van Nieulandt (II) 1662

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print, engraving

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portrait

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baroque

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dutch-golden-age

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print

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old engraving style

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portrait drawing

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engraving

Dimensions: height 162 mm, width 113 mm

Copyright: Rijks Museum: Open Domain

Curator: We are standing before "Portret van Willem van Nieulandt (II)," an engraving produced in 1662 by Joannes Meyssens, currently held at the Rijksmuseum. It exemplifies the Dutch Golden Age portrait style. Editor: My first impression is of restrained elegance. There is an undeniable sense of character conveyed through the lines; it feels like peering into the past. Curator: Absolutely. Considering Meyssens's work within the Baroque period, we find a fascination with capturing the essence of the individual and exploring identity. Think about the cultural impact on portraiture, given this image exists as a readily reproducible print. The work’s dissemination facilitated the concept of celebrity during this period. Editor: The man's wide-brimmed hat and lace collar communicate an air of self-assurance, yet I am intrigued by the artist's intentional use of shadow around his eyes—an intimation of underlying melancholy or deep contemplation? I wonder if this speaks to a broader understanding of Willem as a figure and artist. Curator: That observation touches on an intersection of personal and political expression. Willem van Nieulandt himself was a painter, so one might interpret that hand gesture, which falls roughly near his sternum, as symbolic, gesturing at the seat of intellect, inspiration and drive. Furthermore, this was produced amidst a rapidly shifting political climate within the Dutch Republic, reflecting its emerging global power and complex internal social stratification. Editor: This visual encoding reflects the socio-economic changes in Northern Europe; these symbolic depictions create meaning by embodying ideas from shared cultural memory. I see visual metaphors pointing at the era’s ideals of artistic skill, and ambition. Curator: Considering the societal factors at play, it seems essential that the subject is positioned in such a powerful fashion. Editor: This portrait is compelling in its quietness, a meditation on self and identity. The iconography prompts a journey of thought through history, psychology and artistry, long after one walks away from it.

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