Christoffel van Sichem II created this woodcut, ‘Vision of Daniel of the Four Beasts,’ sometime before 1658. The composition is dominated by a stark contrast of light and shadow, achieved through dense, linear marks which gives form to monstrous creatures and celestial emanations. The arrangement of figures and objects, like the city, is carefully structured to create a symbolic tableau. Note how the monstrous figures in the foreground are balanced by the divine or supernatural elements above, creating a visual hierarchy that invites interpretation. Sichem’s use of line isn’t merely descriptive, it’s expressive. The varying thicknesses and densities of the lines create texture and volume, contributing to the overall sense of unease and awe. This approach challenges fixed meanings, compelling us to confront the darker aspects of human existence. By destabilizing familiar forms, Sichem's woodcut invites us to consider how the very structure of representation can shape our understanding of good and evil.