Brooch 1935 - 1942

Editor: We're looking at a piece entitled "Brooch" created between 1935 and 1942 by William P. Shearwood, rendered in pencil and watercolor. What strikes me is its almost technical, diagrammatic presentation. What do you see in this work? Curator: I see more than just a visual representation. Consider the date - mid-1930s to early 40s. This object is rendered meticulously, as though preserving a fragment of a world potentially threatened by social or economic turmoil, or even the impending war. This level of precise record keeping reminds me of botanical studies done during imperial expeditions. The seemingly simple choice of rendering what most might call a mere 'bauble' now reads as an attempt at preserving some form of cultural capital. Why choose this particular item, among all things? Editor: So, it's less about the intrinsic value of the brooch itself and more about what it represents as a cultural artifact during that specific time? Curator: Precisely. The choice of medium also speaks volumes. Watercolor and pencil often lend themselves to documentary or scientific illustration. But I am curious, what is your interpretation of the brooch's three different positions in the image? What are we meant to observe through their subtle variance in orientation? Editor: Maybe it speaks to how precious jewelry can be? To view it in multiple ways shows its value to someone... that value then potentially speaks to their societal status during those times of turmoil you mentioned. Curator: Interesting idea. It definitely enriches the interpretation of the piece. Thank you for helping me see this in a new light. Editor: And thank you. I'll certainly consider the socio-political implications of everyday objects much more from now on.